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In deze publicatie krijgen we België te zien doorheen de fotolens van onze eerste vrouwelijke persfotograaf, Germaine Van Parys, geboren in 1893. Ze bleef tot op het einde van haar leven met veel passie haar fotografiekunst beoefenen. Zelfs ernstige gezondheidsproblemen konden haar er niet van af brengen; telkens herpakte ze zich en wierp zich opnieuw vol overgave op haar werk. Jarenlang was zij een actief lid van de beroepsvereniging van professionele fotografen, maar daar kreeg ze niet altijd evenveel respect van haar mannelijke collega's. Dat belette haar echter niet een geheel eigen stijl te ontwikkelen, die gekenmerkt werd door veel warmte en menselijkheid.
History of Belgium and Luxembourg --- Parys, Van, Germaine --- anno 1900-1999 --- België --- 77 <493> --- 77 VAN PARYS, GERMAINE --- 20ste eeuw --- 761.2 --- 935 --- Fotografie --- Fotografie--België --- Fotografie--VAN PARYS, GERMAINE --- fotografen, afzonderlijk --- 20e eeuw - 21e eeuw --- 20e eeuw --- 77 <493> Fotografie--België --- photography [process] --- Photography --- Belgium --- History --- 20th century --- Pictorial works --- België --- Fotografie--België --- Biographical details --- Book
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Sociology of minorities --- Sociology of the family. Sociology of sexuality --- Community organization --- History of Belgium and Luxembourg --- history [discipline] --- vrouwenstudies --- geschiedenis --- vrouwenproblematiek --- vrouwenarbeid --- vrouwenemancipatie --- arbeidsvraagstukken --- Photography --- History --- Second feminist wave --- Women's movements --- Book --- First feminist wave --- Empowerment
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commercial portraiture --- portrettekenen --- portretschilderkunst --- Painting --- women [female humans] --- portraits --- lezen --- vrouw in de kunst --- Photography --- Graphics industry --- painting [image-making] --- portretfotografie --- 738.2 --- geschiedenis --- schilderkunst --- tekenkunst --- vrouwen --- schilder- en tekenkunst, geschiedenis volgens genres en motieven, figuren en portretten (ook portretminiaturen en -silhouetten) --- Reading in art --- Catalogs --- Women in art --- Reading --- History --- Art --- Reading habits --- Images of women --- Book
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In the 1970s, Lucy R. Lippard, author of the highly original and popular Mixed Blessings, merged her art-world concerns with those of the then-fledgling women’s movement. In a career that spans sixteen books and scores of articles, catalogs, and essays on art, political activism, feminism, and multiculturalism, her engaging and provocative writings have heralded a new way of thinking about art and its role in the feminist movement. This new collection of previously published essays covers more than two decades of Lippard’s thinking on the ever-evolving definitions of feminist art, the convergence of high and low art, political and activist art, and the contributions of feminist theory to the politics of identity that infuses the production and exhibition of much of today’s fine and popular art. With a new introduction from the author, The Pink Glass Swan brings together selections from two of Lippard’s leading works, From the Center: Feminist Essays on Art and Get the Message?: A Decade of Art for Social Change, and numerous other articles written for newspapers, magazines, and art catalogs across the country.
Feminism and art --- Feminist art criticism --- 7.01 --- Beeldende kunst ; 20ste eeuw ; in relatie tot de prehistorie --- Art criticism --- Feminist criticism --- Art and feminism --- Art --- Kunst ; theorie, filosofie, esthetica --- social issues --- feminism --- gender issues --- gender [sociological concept] --- vrouw in de kunst --- United States --- United States of America --- Feminism --- Feminist art --- Photography --- Artists --- Body --- Drawing --- Exhibitions --- Theory --- Book --- Activism --- Discrimination
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Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist's body. Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum's works are at the same time powerful evocations of statelessness, anxiety, denial and otherness. Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments. The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum's own notes, statements and interviews.
Hatoum, Mona --- Art --- Lebanon --- Great Britain --- video art --- Hatoum, Mona, --- Michael Archer, Guy Brett, Catherine de Zegher --- Mona Hatoum °1952 (°Beirut, Libanon). Leeft en werkt in London. --- Installaties ; performances ; beeldhouwkunst ; Mona Hatoum --- performances --- Palestinië --- Said Edward --- lichamelijkheid --- ballingschap --- 7.071 HATOUM --- Beeldhouwkunst ; beeldhouwers A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- performance art --- assemblages [sculpture] --- furniture making --- installations [visual works] --- Iconography --- Film --- photography [process] --- Photography --- art [fine art] --- anno 1900-1999 --- Performance art --- Installations (Art) --- Art de performance --- beeldhouwkunst --- Groot-Brittannië --- Hatoum Mona --- installaties --- kunst --- Manzoni Piero --- twintigste eeuw --- video --- videokunst --- 7.038 --- 7.07 --- 73.07 --- Intermedia --- Mona Hatoum °1952 (°Beirut, Libanon). Leeft en werkt in London --- Videokunst --- Installation art --- Art, Modern --- Environment (Art) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Ḥāṭūm, Muná, --- Criticism and interpretation. --- #breakthecanon --- Hatoum, Mona, - 1952 --- -Performance art --- Beeldhouwkunst --- Perfomances --- Kunst; 20ste eeuw --- Palestina --- -Hatoum, Mona --- -Installations (Art) --- art [discipline] --- Artists --- Book
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Installations (Art) --- 7.07 --- Ann Veronica Janssens (° 1956, Folkestone, Gr.-Br.). Leeft en werkt in Brussel. --- Beeldende kunst installaties 1994-1999 Ann Veronica Janssens --- Belgische kunstenaars --- Elektronische media --- Intermedia --- Kunst met ruimte en licht --- Performances --- Videokunst video-installaties --- Virtual reality --- 7.071 JANSSENS --- België --- Janssens Ann Veronica --- fotografie --- installaties --- kunst --- réalisateur = editor Laurent Jacob --- twintigste eeuw --- 709.493 --- 709.42 --- 1990 --- -705.8 --- Janssens, Ann Veronica --- conceptuele kunst --- videokunst --- Installation art --- Art, Modern --- Environment (Art) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Arts Europe Belgium --- Arts Europe England --- kunstgeschiedenis, 20e eeuw --- Ann Veronica Janssens (° 1956, Folkestone, Gr.-Br.). Leeft en werkt in Brussel --- Beeldende kunst ; installaties ; 1994-1999 ; Ann Veronica Janssens --- Kunst ; met ruimte en licht --- Videokunst ; video-installaties --- Janssens, Ann Veronica, --- Iconography --- video art --- Film --- installations [visual works] --- art [fine art] --- photography [process] --- light art --- Photography --- Art --- mirrors --- anno 1900-1999 --- anno 2000-2099 --- Belgium --- Perception --- Perception de l'art --- Perception de l'espace --- Lumière --- Artiste --- Manifestation artistique --- Art contemporain --- 20e siècle --- Venise --- Exhibitions. --- Expositions --- 700.4 --- 706.8 --- Installations (Art) - Exhibitions. --- Janssens, Ann Veronica, - 1956- - Exhibitions. --- art [discipline] --- Janssens, Ann Veronica (1956-....) --- 1990-... --- Janssens, Ann Veronica, - 1956 --- -Venise --- Artists --- Book
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